The Message Blog: Ghostface Killah on Upcoming R&B Album

Review - Wu-Tang Clan: Pollen - The Swarm Part III

Posted by elmattic On June 24, 2010

In 1898, the Society of Righteous and Harmonious Fists led the Boxer Rebellion in China. They attacked thinking that their martial arts training would make them fly, be immune to bullets and call on spirit soldiers. Guess what, that didn't work out too good. Pollen is kinda like the Boxer Rebellion. The Wu's been rolling for 17 years now, and the ancient arts of shadowboxing on their own aren't enough in the modern world. I mean, what exactly is the point of another album of the A and B team Clan over middling beats?

Review - Everliven Sound - Freedom 2

Posted by Wally $ean On June 23, 2010

With the underground hip-hop scene producing so many new artists, it’s surprising to see how many are looking at the industry with the assailing eye of veteran rhymers. Take the duo Everliven Sound, also known as emcees the UK's Skit Skam and NJ's Cymarshall Law: although both are relatively fresh-faces in the game, their attitude, style and sound are something of a throwback. On their latest project together Freedom 2, Skit and Cy once again exhibit wisdom and abilities beyond their years, despite a number of problems.

Review - Godilla - Jaguar Paw

Posted by Wally $ean On May 19, 2010

The Jaguar Warrior was a terrifying Aztec soldier who brutalized his victims and captured survivors for ritual sacrifice...With an M.O. like that, it's no wonder why rapper Godilla seemingly pays homage to them on the cover of his LP Jaguar Paw, and he does so with good reason. The Easton, PA emcee and Snowgoons collaborator is out for weak emcees' blood on this album. Although it's not a perfect, with some lackluster beats and bars, it's an inspired, cohesive album that harkens back to he golden era of hip-hop while adding a dash of Latin flavor to spice up the recipe.

Review - The Closers - Bullpen Sessionz

Posted by Wally $ean On March 21, 2009

Hardcore gutter rap is something of a rarity these days. Apart from artists like Blaq Poet and Roc Marciano, very few emcees these days spit that raw shit that sounds like the soundtrack to getting yapped for all of your personal belongings. Yet hope is not lost for fans of that hard-body, get-mushed-or-moshed-out-type steez: The Closers - a four man collective of Shabaam Sahdeeq, Red Eye and the production combo Thorotracks - are up to bat with their latest project Bullpen Sessionz, and they're swinging away like the Baseball Furies.

Review - Statik Selektah - 100 Proof (The Hangover)

Posted by Wally $ean On February 10, 2010

For the past three years, Massachusetts producer and DJ Statik Selektah has had the underground hip-hop scene firmly under his thumb. With a barrage of mixtapes, guest productions and a nearly annual onslaught of album releases, Statik has managed to transform his little Showoff Records imprint into a burgeoning success, helping to propel emcees like Reks and Termanology into the spotlight. Now, Mr. Spell My Name Right is back with his third studio album 100 Proof (The Hangover).

Ghostface Killah on Upcoming R&B Album

Posted by Wally $ean On Thursday, June 04, 2009

I don't really enjoy stealing other sites' interviews, but I kind of had to jack a portion of this one because it involves Ghostface Killah and his upcoming album. Props to Robbie from Hip-Hop Connection and Unkut for doing such a damn fine job with the interview.

Robbie: Can you tell me about this R&B album? Are there a lot of collaborations?

Ghostface Killah: Like when I did "Ice Cream" and all the stuff like that. Remember "Ice Cream"? An album like that. A mixture of things, like you know how I did that Ne-Yo joint and "All That I Got Is You and stuff like that. It’s my last album [for Def Jam] so I wanted to do the album I always wanted to do, man. You gotta tell the fans that you not gettin’ no younger here – we gettin’ older! And everybody don’t sell crack no more, man. I don’t sell crack, yo. I ain’t movin’ no bricks or none of that other shit. I ain’t shoot nobody in like…since the early 90’s, man. How long you gonna be 40 years old and actin’ like you still sellin’ cracks and you on the block and you doin’ this and you doin’ that when times is more serious, man. We in a fuckin’ recession, B! Ain’t nobody gettin’ no money, man! We gotta stop lyin’ to ourselves and lyin’ to the fans. And the fans gotta stop bein’ so dumb and ignorant, and know it’s time to talk about grown-man situations. Shit that happen in the real life, inside your household, your love life, your personal life, that’s just like, ‘Damn, it’s hard for a nigga to get some money!’ It might be so hard to get some money that your girl might wanna leave you someday because you ain’t get no money like you like you used to be getting’ money! Those are real situations, so I think it should start goin’ back to songs that mean shit. All that other shit outside is just gonna keep us dumb, deaf and blind, yo, and we ain’t never gonna get nowhere.

Robbie: What record best describes you?

GFK: Soul music describes me, before hip-hop and everything. If you go back to the early 70’s and late 60’s, that music is the essence of me. After that it’s breakbeats, then it comes all that rap music and other stuff like that.